12019-02-03T22:32:14+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3b11Bataan (1943)plain2019-02-03T22:32:14+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3bThe centerpiece of the scene is a ninety-second dolly shot, looking over Dane’s shoulder as he walks down the line. The camera does not glide past each soldier in the manner of a seriality shot; instead, it stops every time Dane stops, granting each individual the attention he deserves. Although formally similar to a follow shot, keeping pace with Dane as he walks down the line, the shot functions primarily as a person-to-person shot, introducing one man and then the next.
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12019-01-28T01:52:12+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3bChapter Three: Additional ClipsPatrick Keating343 extra clips for Chapter Threeplain1272019-02-03T22:37:23+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3b