12019-02-03T22:08:03+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3b12The Crusades (1935)plain2019-04-26T19:28:04+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3bThere is nothing inherently modern about convergence, in the cinema or otherwise. Cecil B. DeMille’s film The Crusades, set in medieval times, uses a town square to introduce three sets of characters who remain distinct; Victor Milner’s camera cranes from one group to the next, emphasizing their incipient convergence.
12019-01-28T01:52:12+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3bChapter Three: Additional ClipsPatrick Keating343 extra clips for Chapter Threeplain1272019-02-03T22:37:23+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3b
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12019-02-03T21:38:09+00:003.x20 The Crusades1The Crusades (1935)plain2019-02-03T21:38:09+00:00Critical Commons19352019-02-03T21:26:15ZVideoCecil B. DeMilleThe Crusades