1media/2_Keating_front.jpg2018-11-02T19:48:05+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3b118Home Pageplain12019-04-26T19:20:37+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3bThis website provides supporting materials for Patrick Keating's book The Dynamic Frame: Camera Movement in Classical Hollywood (Columbia University Press, 2019). The book offers an original history of camera movement in Hollywood from 1924 to 1958. Although the book is filled with illustrations, readers might want to see the relevant examples in motion. That is what this website is for. By clicking on the chapters listed below, you can find links to over 250 clips, accompanied by excerpts and paraphrases from the book.
12018-12-05T01:29:40+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3bChapter One: American Cinema, German Angles8Chapter on silent-era camera movementplain542019-02-03T20:24:52+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3b
12019-01-25T22:37:11+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3bChapter Two: Purposes and Parallels6This chapter covers the years after the transition to sound.plain832019-01-28T02:06:58+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3b
12019-01-27T20:41:58+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3bChapter Three: Dynamism, Seriality, and Convergence3Chapter on the use of the moving camera in the representation of modernityplain1272019-01-28T02:02:02+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3b
12019-01-27T21:22:13+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3bChapter Four: Constructing Scenes with the Camera3Chapter analyzing three distinct methods of scene construction in Hollywood during the 1940splain1392019-01-28T02:08:29+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3b
12019-01-27T21:53:13+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3bChapter Five: Between Subjective and Objective3Chapter on four trends in postwar filmmakingplain1832019-01-28T02:09:30+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3b
12019-01-28T00:32:11+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3bChapter Six: An Art of Disclosures3Chapter on long takes and the widescreen cinema of the 1950splain1992019-01-28T02:10:25+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3b
12019-01-28T01:03:13+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3bConclusion2Final chapter, featuring an analysis of Touch of Evil's opening shotplain12019-01-28T01:47:30+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3b
12019-04-26T19:13:35+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3bCorrections and Clarifications3List of corrections and clarifications I wish I had caughtplain2019-04-26T21:22:40+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3b
12019-02-06T22:37:24+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3bLinks to Three Video Essays1linksplain2019-02-06T22:37:24+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3b
12019-02-13T22:26:20+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3bThanks2Thanking three institutionsplain2019-02-13T22:49:18+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3b
This page references:
12018-11-04T02:36:09+00:00Book Cover1jpg of the book's covermedia/2_Keating_front.jpgplain2018-11-04T02:36:09+00:00
