12019-02-03T22:03:16+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3b11The Women (1939)plain2019-02-03T22:03:16+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3bThe movement of the camera, always flowing from right to left, unites various women under the heading of femininity, here associated with an easily satirized search for beauty. No men appear in the film, but the implicit contrast with masculinity is striking. A film might represent a man serially when he is in a dead-end job or in the military or in prison, but a woman joins a serial formation in her leisure time. The mass culture of consumption offers women no escape from seriality.
This page has paths:
12019-01-28T01:52:12+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3bChapter Three: Additional ClipsPatrick Keating343 extra clips for Chapter Threeplain1272019-02-03T22:37:23+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3b
This page references:
12019-02-03T21:23:49+00:003.x16 The Women1The Women (1939)plain2019-02-03T21:23:49+00:00Critical Commons19392019-01-30T17:56:10ZVideoGeorge CukorThe Women