12019-01-27T21:00:59+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3b12Show Boat (1936)plain2019-02-03T22:14:30+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3bIn a previous scene (see 3.x25), editing evoked segregation by placing different races in different shots. Here, camera movement evokes convergence, craning up from an apparently white couple (the woman is of mixed race) to the African American Joe, watching sympathetically as the couple leaves town.
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12019-01-27T20:41:58+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3bChapter Three: Dynamism, Seriality, and ConvergencePatrick Keating3Chapter on the use of the moving camera in the representation of modernityplain1272019-01-28T02:02:02+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3b
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12019-01-27T20:47:23+00:003.9 Show Boat1Show Boat (1936)plain2019-01-27T20:47:23+00:00Critical Commons19362019-01-25T15:32:27ZVideoJames WhaleShow Boat