12019-01-27T21:02:38+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3b12Gold Diggers of 1933 (1933)plain2019-02-03T22:18:52+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3bRecalling the window-to-window sequence of Sunnyside Up (see 3.x27), a craning movement in the “Forgotten Man” number unites the African American singer Etta Moten with two white women, the pain in Moten’s voice giving expression to their suffering. War and poverty have brought these women together, but the camera movement separates as much as it unites. The apartment’s rooms are far apart, isolating each woman within her respective window frame.
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12019-01-27T20:41:58+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3bChapter Three: Dynamism, Seriality, and ConvergencePatrick Keating3Chapter on the use of the moving camera in the representation of modernityplain1272019-01-28T02:02:02+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3b
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12019-01-27T20:47:34+00:003.10 Gold Diggers of 19331Gold Diggers of 1933 (1933)plain2019-01-27T20:47:34+00:00Critical Commons19332019-01-25T15:34:45ZVideoBusby BerkeleyGold Diggers of 1933