12019-01-27T20:57:13+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3b11À nous la liberté (1931)plain2019-01-27T20:57:13+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3bIn the opening scene, lateral movement reveals seriality. Juxtaposing serial toys with serial prisoners, director René Clair introduces his film’s thesis visually, condemning the carceral conformity of modern life, with its systems of mass production and mass social control. Modernity means monotony.
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12019-01-27T20:41:58+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3bChapter Three: Dynamism, Seriality, and ConvergencePatrick Keating3Chapter on the use of the moving camera in the representation of modernityplain1272019-01-28T02:02:02+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3b
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12019-01-27T20:46:43+00:003.6 À nous la liberté1À nous la liberté (1931)plain2019-01-27T20:46:43+00:00Critical Commons19312019-01-25T15:24:05ZVideoRené ClairÀ nous la liberté