12019-01-27T20:53:26+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3b11City Girl (1930)plain2019-01-27T20:53:26+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3bAs Lem looks at his newspaper, the camera dollies across the street, and an automobile drives by, passing through the space that the camera had just traversed. Lem, who once dominated the foreground of the image, is now barely visible in the background, on the right edge of the frame. We struggle to keep Lem in view as the composition shifts him from the center to the periphery, allowing the urban world to break through the barrier of the frame and engulf our hero.
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12019-01-27T20:41:58+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3bChapter Three: Dynamism, Seriality, and ConvergencePatrick Keating3Chapter on the use of the moving camera in the representation of modernityplain1272019-01-28T02:02:02+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3b
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12019-01-27T20:45:58+00:003.3 City Girl1City Girl (1930)plain2019-01-27T20:45:58+00:00Critical Commons19302019-01-25T15:12:34ZVideoF.W. MurnauCity Girl