12019-01-30T01:29:17+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3b11Street Angel (1928)plain2019-01-30T01:29:17+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3bCompare this example with the two previous examples. In It (1.x19), an amplified point-of-view shot represents a desiring gaze. In Hotel Imperial (1.x20), the same technique connotes agency even more strongly, suggesting the gaze of a man of action. By contrast, Street Angel repurposes the amplified point-of-view shot to suggest the passive gaze of identification; Angela worries that she may need to turn to prostitution to save her mother.
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12019-01-28T01:49:59+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3bChapter One: Additional ClipsPatrick Keating325 extra clips for Chapter Oneplain542019-01-30T01:37:09+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3b
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12019-01-30T01:02:37+00:001.x21 Street Angel1Street Angel (1928)plain2019-01-30T01:02:37+00:00Critical Commons19282019-01-28T19:09:58ZVideoFrank BorzageStreet Angel