12019-01-30T01:23:31+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3b11Wild Orchids (1929)plain2019-01-30T01:23:31+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3bThis scene structures its point-of-view shots according to logics of gender and race. On the one hand, there is a clear contrast between the male gaze and the female gaze as the contrast between mobility and stasis echoes the film’s larger themes about the hunter and the hunted. On the other hand, the film represents the Indonesian man’s desire as inherently threatening. The rest of the film will work to neutralize this threat, reestablishing the white couple at the center.
This page has paths:
12019-01-28T01:49:59+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3bChapter One: Additional ClipsPatrick Keating325 extra clips for Chapter Oneplain542019-01-30T01:37:09+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3b