12019-01-27T20:59:37+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3b11Skyscraper Souls (1932)plain2019-01-27T20:59:37+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3bDuring pre-production, the makers of Skyscraper Souls debated whether camera movement or editing was the better way to introduce the film’s network of characters. In the finished scene, the moving camera evokes a sense of fluidity, with minor encounters emerging from the crowd and then dissolving right back into it.
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12019-01-27T20:41:58+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3bChapter Three: Dynamism, Seriality, and ConvergencePatrick Keating3Chapter on the use of the moving camera in the representation of modernityplain1272019-01-28T02:02:02+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3b