12019-01-27T20:49:37+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3b11Emma (1932)plain2019-01-27T20:49:37+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3bThe scene obeys the familiar norms of Hollywood storytelling: Emma follows her goal of retrieving the yarn, and the camera follows her. But the camera’s movement accomplishes an additional function, offering an evocative image of a modern train station packed with strangers: some notice Emma; some do not; some register onscreen for a significant moment while the dolly pauses on its way; and some appear as just a blur while the dolly passes imperviously by.
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12019-01-27T20:41:58+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3bChapter Three: Dynamism, Seriality, and ConvergencePatrick Keating3Chapter on the use of the moving camera in the representation of modernityplain1272019-01-28T02:02:02+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3b