12019-01-27T20:04:12+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3b11Cleopatra (1934)plain2019-01-27T20:04:12+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3bThe lateral camera movement offers cynical commentary by showing us more than any one character could possibly see. The gossip seems even more inconsequential when contrasted with the world-changing action being plotted just a few feet away, and the implied comparison with the gossipers undercuts Brutus’s self-important posturing.
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12019-01-25T22:37:11+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3bChapter Two: Purposes and ParallelsPatrick Keating6This chapter covers the years after the transition to sound.plain832019-01-28T02:06:58+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3b
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12019-01-25T22:48:02+00:002.8 Cleopatra1Cleopatra (1934)plain2019-01-25T22:48:02+00:00Critical Commons19342019-01-24T19:43:17ZVideoCecil B. DeMilleCleopatra