The Dynamic Frame: Camera Movement in Classical Hollywood

2.15 The Barretts of Wimpole Street

Camera operator A. Lindsley Lane wrote about this scene in an article from 1935. He described the camera’s movements as irresponsible and joyful, participating with Henrietta as she dances around the room. This participatory camera shares in the character's emotions, not by representing her perceptions, but by imitating her affective gestures.

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