12019-01-24T02:10:53+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3b11clip from The Last Laugh (1924)plain2019-01-24T02:10:53+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3bThe camera shares a rotating platform with the film’s star (Emil Jannings), and it appears that the protagonist is sitting still while the world spins by in the background. This shot does not represent the porter’s literal point of view. The effect instead is “semi-subjective,” as if the film were offering us an external and an internal view simultaneously.
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12018-12-05T01:29:40+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3bChapter One: American Cinema, German AnglesPatrick Keating8Chapter on silent-era camera movementplain542019-02-03T20:24:52+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3b
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12019-01-24T01:51:39+00:001.5 The Last Laugh1The Last Laugh (1924)plain2019-01-24T01:51:39+00:00Critical Commons19242019-01-22T01:59:34ZVideoF.W. MurnauThe Last Laugh