12019-01-24T19:11:30+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3b11Four Sons (1928)plain2019-01-24T19:11:30+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3bIn the opening scene, the moving camera stresses the theme of connectedness. We see a postman amble down the street and offer a friendly greeting to every figure he meets along the way— young and old, civilian and police, human and canine. The camera takes it all in, uniting the community within the frame.
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12018-12-05T01:29:40+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3bChapter One: American Cinema, German AnglesPatrick Keating8Chapter on silent-era camera movementplain542019-02-03T20:24:52+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3b
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12019-01-24T01:53:56+00:001.17 Four Sons1Four Sons (1928)plain2019-01-24T01:53:56+00:00Critical Commons19282019-01-23T23:22:38ZVideoJohn FordFour Sons