12019-01-27T20:13:24+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3b11You Only Live Once (1937)plain2019-01-27T20:13:24+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3bThe newspaper scene comments on the cinema’s flow of disclosures with a remarkable degree of reflexivity, using camera movement to expose the filmmaker’s power to lead—and mislead—the audience. The filmmaker’s seeming omnipotence does not provide the spectator with a feeling of omniscience. If anything, our awareness of the shifting frame heightens our awareness of our own ignorance.
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12019-01-25T22:37:11+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3bChapter Two: Purposes and ParallelsPatrick Keating6This chapter covers the years after the transition to sound.plain832019-01-28T02:06:58+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3b
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12019-01-25T22:49:16+00:002.14 You Only Live Once1You Only Live Once (1937)plain2019-01-25T22:49:16+00:00Critical Commons19372019-01-24T22:48:23ZVideoFritz LangYou Only Live Once