12019-01-28T00:54:09+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3b11Rear Window (1954)plain2019-01-28T00:54:09+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3bDouglas Pye has observed that Hitchcock’s films often express a playful tone, precisely by flaunting their “ability to restrict what we see and know.” This sense of playfulness characterizes the eighty-six-second shot, which works like a riddle, revealing a set of effects (the broken leg and the broken camera) before revealing their cause (the car crash).
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12019-01-28T00:32:11+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3bChapter Six: An Art of DisclosuresPatrick Keating3Chapter on long takes and the widescreen cinema of the 1950splain1992019-01-28T02:10:25+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3b