12019-01-27T22:09:33+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3b11Ride the Pink Horse (1947)plain2019-01-27T22:09:33+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3bTechnically, this three-minute shot is as impressive as anything in Lady in the Lake, also directed by Robert Montgomery. Starting in the bright outdoor sun, the camera dollies inside the station, and the aperture opens up, allowing us to see the dim interior. Once inside, the camera pans around 180 degrees to show the protagonist standing in front of the entrance; then it reverses its movements, ending up back outside in the sun.
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12019-01-27T21:53:13+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3bChapter Five: Between Subjective and ObjectivePatrick Keating3Chapter on four trends in postwar filmmakingplain1832019-01-28T02:09:30+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3b
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12019-01-27T21:57:54+00:005.5 Ride the Pink Horse1Ride the Pink Horse (1947)plain2019-01-27T21:57:54+00:00Critical Commons19472019-01-26T00:47:21ZVideoRobert MontgomeryRide the Pink Horse