The Dynamic Frame: Camera Movement in Classical Hollywood

5.2 Shadow of a Doubt

As in the amplified point-of-view shots discussed in Chapter One (see 1.x19, 1.x20, and 1.x21), the camera movement represents Uncle Charlie’s subjective experience without representing his optical experience. Uncle Charlie stands still, but the rapid movement suggests that he is focusing his attention on the incriminating ring.

This page has paths:

This page references: