12019-01-27T22:17:49+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3b11Air Force (1943)plain2019-01-27T22:17:49+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3bCinematographer James Wong Howe argued that bumpy camerawork gave spectators a sense of “real participation” in the war film. Here, the camera wobbles unpredictably for a few seconds, pans awkwardly to the left, and then wobbles some more. Meanwhile, rubble crashes down, a flame ignites, and sailors fall to the deck.
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12019-01-27T21:53:13+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3bChapter Five: Between Subjective and ObjectivePatrick Keating3Chapter on four trends in postwar filmmakingplain1832019-01-28T02:09:30+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3b
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12019-01-27T21:59:00+00:005.12 Air Force1Air Force (1943)plain2019-01-27T21:59:00+00:00Critical Commons19432019-01-26T01:21:21ZVideoHoward HawksAir Force