12019-02-04T19:23:52+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3b11Tea and Sympathy (1956)plain2019-02-04T19:23:52+00:00Critical Commons19562019-02-02T22:03:20ZVideoVincente MinnelliTea and SympathyPatrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3b
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12019-02-06T01:23:49+00:006.x27 Tea and Sympathy2Tea and Sympathy (1956)tplain2019-04-26T21:20:18+00:00Vincente Minnelli and cinematographer John Alton follow most of the early CinemaScope rules: no lateral dollies, no big close-ups, just a few quick pans and some modest reframes. Working within these restrictions, they rely on blocking and set design to shape our interests, giving top priority to Laura, second priority to the two men, and third priority to Laura’s impeccably maintained house.