12019-02-04T19:41:35+00:005.x14 Madame Bovary1Madame Bovary (1949)plain2019-02-04T19:41:35+00:00Describing the waltz sequence in Madame Bovary, Vincente Minnelli explained that the camera movement suggested Emma's dizziness. The sequence features one whirling point-of-view shot, but the most astonishing shot depicts Emma from the outside, panning 360 degrees to convey Emma’s delirium as she spins around the dance floor. Like the point-of-view shot, the semi-subjective shot is mimetic; the camera moves to imitate an aspect of the storyworld—in this case, an emotional experience.