12019-02-04T19:25:20+00:005.x1 Rebecca1Rebecca (1940)plain2019-02-04T19:25:20+00:00Even in his first Hollywood film, Hitchcock experimented with complex variations on subjective storytelling technique. In this sequence, the camera is simultaneously human (representing the protagonist’s point of view) and superhuman (magically passing through the iron gates at Manderley).