12019-02-03T20:58:40+00:002.x18 Inspiration2Inspiration (1931)plain2019-02-03T21:00:18+00:00Taking the camera-person analogy very literally, several films of the early 1930s experimented with lengthy point-of-view sequences. This example comes from Clarence Brown’s 1931 film Inspiration; see also Guilty as Hell, The Sport Parade, The Story of Temple Drake, and the examples from Dr. Jekyll and Mr. Hyde (2.6), A Farewell to Arms (2.9), and The Kennel Murder Case (2.x19).