12019-01-27T22:14:18+00:005.9 The Killers1The Killers (1946)plain2019-01-27T22:14:18+00:00The film initially seems to be proposing a close comparison between the reporter’s prose and the camera’s positioning—both favor facts over feelings. But the analogy proves to be unsustainable. The longer the two-minute take stretches on, the more it seems like the voiceover and the cinematography offer two incommensurate ways of representing an event, each shaped by its own potentials and limitations.