12018-12-05T01:14:33+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3b12The camera dollies in as Norma reveals the gun.plain2018-12-05T01:15:11+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3bIn the previous two examples (3 and 4), the pattern of disclosures echoed Joe's experiences. The pan revealed the old car when Joe noticed it, just as the tilt revealed Norma's presence when Joe turned to look at her. Here, the camera's movement is detached from Joe's: he walks away from Norma, but the camera moves in. Hollywood parlance might describe the shot as "unmotivated," but it serves a clear purpose, drawing our attention to a detail the protagonist has overlooked.