12019-02-06T01:26:44+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3b11Vertigo (1958)plain2019-02-06T01:26:44+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3bConclusionFinal chapter, featuring an analysis of Touch of Evil's opening shotThis classic shot recalls a scene from Murnau’s film The Last Laugh (see 1.5). Hitchcock’s version triples the movement: the world spins around the characters, the characters spin around each other, and the camera moves in and out. However intense the result, the shot remains semi-subjective. Rather than look through the character’s eyes, Vertigo momentarily depicts its protagonist from the outside, while representing the character’s world as he might see it.
This page has paths:
12019-01-28T01:54:48+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3bChapter Six: Additional ClipsPatrick Keating230 extra clips for Chapter Sixplain1992019-02-06T01:28:46+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3b