12019-02-06T00:09:12+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3b11High Noon (1952)plain2019-02-06T00:09:12+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3bDirector Fred Zinnemann and his crew used a Jeep-mounted crane, probably an early Chapman model, to produce the acclaimed shot of Will Kane standing alone in the street after everyone in town has abandoned him. The shot works because of its double movement. The Jeep moves backward while the arm rises up and away from Kane, who looks increasingly vulnerable in the engulfing space.
This page has paths:
12019-01-28T01:54:48+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3bChapter Six: Additional ClipsPatrick Keating230 extra clips for Chapter Sixplain1992019-02-06T01:28:46+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3b
This page references:
12019-02-04T19:22:47+00:006.x18 High Noon1High Noon (1952)plain2019-02-04T19:22:47+00:00Critical Commons19522019-02-02T00:10:06ZVideoFred ZinnemannHigh Noon