The Dynamic Frame: Camera Movement in Classical Hollywood

6.x13 Judgment at Nuremberg

The great dolly grip Morris Rosen enjoyed a long relationship with producer-director Stanley Kramer. Many critics scoff at Kramer’s plodding directorial style, but some of his films feature intricate camerawork, as in this arcing dolly shot from Judgment at Nuremberg, which recalls Rosen’s work in the trial scenes in The Paradine Case.

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