12019-02-04T19:59:42+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3b11Body and Soul (1947)plain2019-02-04T19:59:42+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3bChapter Six: An Art of DisclosuresChapter on long takes and the widescreen cinema of the 1950sHowe’s fight cinematography is gloriously flawed. In this example, we never see the star’s face, and his opponent looks blurry and occluded from view. By itself, the shot looks like an outtake. In the context of the scene as a whole, the shot evokes the feeling of “participation” that Howe had been aiming to achieve since Air Force (see 5.12).
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12019-01-28T01:53:54+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3bChapter Five: Additional ClipsPatrick Keating230 extra clips for Chapter Fiveplain1832019-02-04T20:01:19+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3b
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12019-02-04T19:20:20+00:005.x30 Body and Soul1Body and Soul (1947)plain2019-02-04T19:20:20+00:00Critical Commons19472019-02-01T20:45:21ZVideoRobert RossenBody and Soul