12019-02-04T19:53:17+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3b11The House on 92nd Street (1945)plain2019-02-04T19:53:17+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3bWhen the voiceover explains that the shack was in a rural location, the camera pans from the ocean to the shack (shot 1). When the voiceover explains that Dietrich sent messages through the airwaves, the camera pans from Dietrich to his transmitter (shot 2). When the voiceover explains that the FBI intercepted his messages, the camera pans from the antenna to the FBI office (shot 3). Each pan reinforces a specific verbal claim: space to individual, individual to action, action to effect.
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12019-01-28T01:53:54+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3bChapter Five: Additional ClipsPatrick Keating230 extra clips for Chapter Fiveplain1832019-02-04T20:01:19+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3b
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12019-02-04T19:19:28+00:005.x23 The House on 92nd Street1The House on 92nd Street (1945)plain2019-02-04T19:19:28+00:00Critical Commons19452019-02-01T20:21:06ZVideoHenry HathawayThe House on 92nd Street