12019-02-04T19:46:01+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3b11The Fighting Lady (1944)plain2019-02-04T19:46:01+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3bAt this distance, the landscape looks abstract, like a miniature, becoming recognizable only when the bombs explode below. Reinforcing the sense of strangeness, narrator Robert Taylor describes the camerawork as inhuman: these cameras record, “as no human eye or memory could record, just what our guns and bombs do to the enemy.” The sequence is hypnotic and oddly beautiful—until you recall that each shot is a real document of real destruction.
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12019-01-28T01:53:54+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3bChapter Five: Additional ClipsPatrick Keating230 extra clips for Chapter Fiveplain1832019-02-04T20:01:19+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3b
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12019-02-04T19:18:51+00:005.x18 The Fighting Lady1The Fighting Lady (1944)plain2019-02-04T19:18:51+00:00Critical Commons19442019-02-01T20:00:02ZVideoEdward SteichenThe Fighting Lady