12019-02-04T19:41:35+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3b11Madame Bovary (1949)plain2019-02-04T19:41:35+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3bDescribing the waltz sequence in Madame Bovary, Vincente Minnelli explained that the camera movement suggested Emma's dizziness. The sequence features one whirling point-of-view shot, but the most astonishing shot depicts Emma from the outside, panning 360 degrees to convey Emma’s delirium as she spins around the dance floor. Like the point-of-view shot, the semi-subjective shot is mimetic; the camera moves to imitate an aspect of the storyworld—in this case, an emotional experience.
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12019-01-28T01:53:54+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3bChapter Five: Additional ClipsPatrick Keating230 extra clips for Chapter Fiveplain1832019-02-04T20:01:19+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3b