12019-01-27T22:11:38+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3b11The Lodger (1944)plain2019-01-27T22:11:38+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3bFor a later murder scene, the dolly-mounted camera pans left and right and tilts up and down erratically, in the manner of a handheld camera, to represent the killer’s uneven steps as he lumbers closer and closer. Compare to the more objective technique in 5.6.
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12019-01-27T21:53:13+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3bChapter Five: Between Subjective and ObjectivePatrick Keating3Chapter on four trends in postwar filmmakingplain1832019-01-28T02:09:30+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3b
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12019-01-27T21:58:16+00:005.7 The Lodger1The Lodger (1944)plain2019-01-27T21:58:16+00:00Critical Commons19442019-01-26T00:58:53ZVideoJohn BrahmThe Lodger