12019-01-27T22:07:15+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3b11Spellbound (1945)plain2019-01-27T22:07:15+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3bBecause cinematographer George Barnes was unwilling to photograph this scene in Tolandesque deep focus, the crew constructed an enormous model gun, which wheels around to face the camera when Dr. Murchison kills himself. The resulting scene mixes together contradictory emotional appeals, asking us to imagine being in Murchison’s position while keeping our sympathies allied to Dr. Petersen.
This page has paths:
12019-01-27T21:53:13+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3bChapter Five: Between Subjective and ObjectivePatrick Keating3Chapter on four trends in postwar filmmakingplain1832019-01-28T02:09:30+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3b