12019-01-27T22:19:00+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3b11The Naked City (1948)plain2019-01-27T22:19:00+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3bMark Hellinger’s narration may be omniscient, but the spectator is not; the scene instills a feeling of uncertainty rather than mastery. To watch this shot is to be overwhelmed with detail: Garzah, yes, but also the man in sunglasses, the Old Gold poster, the woman with the baby carriage, the short man in an oversize suit, the woman with the white purse and the matching shoes, the carefully lettered sign of the delicatessen, and the man taking a huge bite out of an ear of corn.
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12019-01-27T21:53:13+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3bChapter Five: Between Subjective and ObjectivePatrick Keating3Chapter on four trends in postwar filmmakingplain1832019-01-28T02:09:30+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3b
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12019-01-27T21:59:13+00:005.13 The Naked City1The Naked City (1948)plain2019-01-27T21:59:13+00:00Critical Commons19482019-01-26T01:25:16ZVideoJules DassinThe Naked City