12019-02-04T19:08:16+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3b11Magnificent Obsession (1935)plain2019-02-04T19:08:16+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3bDuring the transition-to-sound period, filmmakers used the long take as an alternative to multicamera filmmaking. After the return to single-camera filmmaking, the long take remained a viable option throughout the 1930s, as in the films of Edmund Goulding and George Cukor. Here, John Stahl stages an understated three-minute take for the 1935 version of The Magnificent Obsession.
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12019-01-28T01:53:02+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3bChapter Four: Additional ClipsPatrick Keating28 extra clips for Chapter Fourplain1392019-02-04T19:15:44+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3b