12019-01-27T21:15:57+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3b11Citizen Kane (1941)plain2019-01-27T21:15:57+00:00Critical Commons19412019-01-25T21:04:51ZVideoOrson WellesCitizen KanePatrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3b
This page is referenced by:
12019-01-27T21:37:42+00:004.8 Citizen Kane2Citizen Kane (1941)plain2019-01-27T21:38:13+00:00Whereas the puddle scene (see 4.7) uses the moving camera to break the scene down into distinct angles, this example models a very different approach to the long take, exploiting the resources of deep-focus cinematography to such a degree that extensive camera movement becomes unnecessary. The results look completely unlike cutting in the camera.