12019-01-27T20:51:55+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3b11The Clock (1945)plain2019-01-27T20:51:55+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3bAs in the previous example from Emma (see 3.1), The Clock shows a character from a small town trying to navigate a modern train station. Like Clarence Brown, director Vincente Minnelli uses the moving camera to follow his overwhelmed protagonist through the crowd, evoking the dynamism of the station itself.
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12019-01-27T20:41:58+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3bChapter Three: Dynamism, Seriality, and ConvergencePatrick Keating3Chapter on the use of the moving camera in the representation of modernityplain1272019-01-28T02:02:02+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3b
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12019-01-27T20:45:40+00:003.2 The Clock1The Clock (1945)plain2019-01-27T20:45:40+00:00Critical Commons19452019-01-25T14:56:36ZVideoVincente MinnelliThe Clock