12019-01-27T21:10:14+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3b11The Clock (1945)plain2019-01-27T21:10:14+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3bIn the farewell scene, the camera moves past a series of vignettes before discovering the central couple. As in a neorealist film, the effect is to suggest that the film’s story has been selected at random. The camera could follow this couple or that one. Each story would be just as ordinary as this one—and just as important.
This page has paths:
12019-01-27T20:41:58+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3bChapter Three: Dynamism, Seriality, and ConvergencePatrick Keating3Chapter on the use of the moving camera in the representation of modernityplain1272019-01-28T02:02:02+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3b
This page references:
12019-01-27T20:48:40+00:003.16 The Clock1The Clock (1945)plain2019-01-27T20:48:40+00:00Critical Commons19452019-01-25T16:02:00ZVideoVincente MinnelliThe Clock