12019-02-03T20:44:11+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3b12Back Pay (1930)plain2019-02-03T20:45:54+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3bBefore the rise of rear-screen projection in the early 1930s, filmmakers often relied on traveling-matte systems. The resulting images typically contained visible flaws, as in the automobile shots in Back Pay, where one can see a fringe separating the foreground from the background, indicating imperfectly aligned mattes. Compare to 2.x8, which uses rear-screen projection.
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12019-01-28T01:51:17+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3bChapter Two: Additional ClipsPatrick Keating231 extra clips for Chapter Twoplain832019-02-03T21:19:59+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3b
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12019-02-03T20:30:23+00:002.x7 Back Pay1Back Pay (1930)plain2019-02-03T20:30:23+00:00Critical Commons19302019-01-28T19:47:55ZVideoWilliam SeiterBack Pay