12019-02-03T21:17:17+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3b11Front Page Woman (1935)plain2019-02-03T21:17:17+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3bChapter Three: Dynamism, Seriality, and ConvergenceChapter on the use of the moving camera in the representation of modernityDisappointingly, the film’s introduction of its dynamic protagonist is quite passive. At first, the restless camera takes its cues from the bustling of the newsmen, but then the film isolates the lone woman by photographing her in a different style: a glamorously lit, stationary medium close-up. Following the logic of so many Hollywood films, as analyzed by Laura Mulvey, the men move through a three-dimensional space, whereas the woman is trapped in two-dimensional stasis.
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12019-01-28T01:51:17+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3bChapter Two: Additional ClipsPatrick Keating231 extra clips for Chapter Twoplain832019-02-03T21:19:59+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3b