12019-02-03T21:16:33+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3b11Dance, Fools, Dance (1931)plain2019-02-03T21:16:33+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3bOn the one hand, Bonnie is a fully integrated member of the newsroom, hard at work like everyone else. On the other hand, the sequence suggests that she retains her difference. The two male reporters are writing hard-boiled stuff, but Bonnie’s obituary is suffused with emotion. After introducing this contrast, the scene shifts toward the participatory mode. By panning one way and back again, the camera echoes Bonnie’s momentary hesitation, characterizing her gaze in tragic terms: desiring to see, but with no object.
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12019-01-28T01:51:17+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3bChapter Two: Additional ClipsPatrick Keating231 extra clips for Chapter Twoplain832019-02-03T21:19:59+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3b