The Dynamic Frame: Camera Movement in Classical Hollywood

2.x26 City Girl

In an otherwise bleak film, the moment when Lem shows Kate the fields for the first time is a moment of joy; it is as if this city girl has never seen such wide-open spaces. Rapidly tracking alongside Kate, the camera shares her delight. Murnau’s camera is unchained, indeed; never before has the machine seemed so free.

This page has paths:

This page references: