12019-02-03T20:51:02+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3b11Morocco (1930)plain2019-02-03T20:51:02+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3bIf filmmakers who championed “invisibility” did not restrict themselves to follow shots, then the reverse is also true: the follow shot could be flamboyant. Josef von Sternberg would dolly laterally to keep Marlene Dietrich in the center of the frame, while surrounding the star with a riot of décor. As the camera dollied past, foreground objects would fly across the frame, turning simple follow shots into frenzies of movement.
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12019-01-28T01:51:17+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3bChapter Two: Additional ClipsPatrick Keating231 extra clips for Chapter Twoplain832019-02-03T21:19:59+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3b
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12019-02-03T20:31:16+00:002.x13 Morocco1Morocco (1930)plain2019-02-03T20:31:16+00:00Critical Commons19302019-01-29T17:19:24ZVideoJosef von SternbergMorocco