The Dynamic Frame: Camera Movement in Classical Hollywood

2.x1 Alibi

In 1929, art director William Cameron Menzies designed a trio of films (Alibi, Bulldog Drummond, and The Taming of the Shrew), each featuring a bravura sequence in which the camera dollies forward through a deeply perspectival composition, as if immersing the spectator in a three-dimensional space. Here, the camera enters a nightclub.

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