12019-01-27T20:08:16+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3b1142nd Street (1933)plain2019-01-27T20:08:16+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3bCinematographer Sol Polito compared the camera to a set of opera glasses in the hands of a theater spectator. But this outrageous musical number makes a mockery of that analogy, as dance director Busby Berkeley celebrates the cinema’s capacity to offer views that no theater spectator could ever expect to see.
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12019-01-25T22:37:11+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3bChapter Two: Purposes and ParallelsPatrick Keating6This chapter covers the years after the transition to sound.plain832019-01-28T02:06:58+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3b
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12019-01-25T22:48:43+00:002.11 42nd Street142nd Street (1933)plain2019-01-25T22:48:43+00:00Critical Commons19332019-01-24T22:41:43ZVideoBusby Berkeley42nd Street