12019-01-24T19:01:01+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3b11Sunrise (1927)plain2019-01-24T19:01:01+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3bWhereas the previous example (see 1.9) unfolds in fast motion as if it were a slapstick stunt, this shot is a composite, using a traveling matte to combine three distinct layers: a foreground layer with cars passing by closely; a background layer dissolving from the city to the country; and a middle-ground layer showing the lovers walking while the camera follows on a dolly. Each layer was shot separately and then printed onto a separate piece of film.
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12018-12-05T01:29:40+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3bChapter One: American Cinema, German AnglesPatrick Keating8Chapter on silent-era camera movementplain542019-02-03T20:24:52+00:00Patrick Keatingfdfdb363527b48ac29800c3d2a6f44da6939bc3b